Posts from — November 2008

Terence Young

Thoughts/Words/Reviews:

Directed with consummate skill by Terence Young, the second James Bond spy thriller is considered by many fans to be the best of them all. Certainly Sean Connery was never better as the dashing Agent 007, whose latest mission takes him to Istanbul to retrieve a top-secret Russian decoding machine. His efforts are thwarted when he gets romantically distracted by a sexy Russian double agent (Daniela Bianchi), and is tracked by a lovely assassin (Lotte Lenya) with switchblade shoes, and by a crazed killer (Robert Shaw), who clashes with Bond during the film’s dazzling climax aboard the Orient Express. From Russia with Love is classic James Bond, before the gadgets, pyrotechnics, and Roger Moore steered the movies away from the more realistic tone of the books by Ian Fleming. –Jeff Shannon

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Paramount

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“I bought a car. Turned out to be an alien robot. Who knew?” deadpans Sam Witwicky, hero and human heart of Michael Bay’s rollicking robot-smackdown fest, Transformers. Witwicky (the sweetly nerdy Shia LaBeouf, channeling a young John Cusack) is the perfect counterpoint to the nearly nonstop exhilarating action. The plot is simple: an alien civil war (the Autobots vs. the evil Decepticons) has spilled onto Earth, and young Sam is caught in the fray by his newly purchased souped-up Camaro. Which has a mind–and identity, as a noble-warrior robot named Bumblebee–of its own. The effects, especially the mind-blowing transformations of the robots into their earthly forms and back again, are stellar.

Fans of the earlier film and TV series will be thrilled at this cutting-edge incarnation, but this version should please all fans of high-adrenaline action. Director Bay gleefully salts the movie with homages to pop-culture touchstones like Raiders of the Lost Ark, King Kong, and the early technothriller WarGames. The actors, though clearly all supporting those kickass robots, are uniformly on-target, including the dashing Josh Duhamel as a U.S. Army sergeant fighting an enemy he never anticipated; Jon Voight, as a tough yet sympathetic Secretary of Defense in over his head; and John Turturro, whose special agent manages to be confidently unctuous, even stripped to his undies. But the film belongs to Bumblebee, Optimus Prime, and the dastardly Megatron–and the wicked stunts they collide in all over the globe. Long live Transformers! –A.T. Hurley

View More about Transformers (Two-Disc Special Edition + BD Live) [Blu-ray]

John Stevenson

Thoughts/Words/Reviews:

What’s a panda to do when his dreams of kung-fu awesomeness awake to the cold reality of noodle-making? Clumsy, overweight Po (Jack Black) dreams of becoming a kung fu master like China’s revered “furious five,” but instead seems destined to follow in the footsteps of his father and grandfather in the restaurant business. When great leader Oogway has a vision that the imprisoned kung fu warrior Tai Lung (Ian McShane) will soon escape, he declares it time to choose China’s dragon warrior–one kung fu master deemed worthy of possessing the dragon’s scroll and its secret to limitless power. Po and all the townspeople rush to the Jade Palace atop the highest mountain to witness the contest between Tigress (Angelina Jolie), Monkey (Jackie Chan), Mantis (Seth Rogan), Crane (David Cross) and Viper (Lucy Liu), but Po is locked outside the palace. After a miracle of sorts, Po lands inside the palace gates, where he is chosen as the dragon warrior and placed under the tutelage of the decidedly non-plussed master Shifu (Dustin Hoffman). An unconventional student to say the least, hilarity reigns as Shifu tries desperately to make Po into some semblance of a kung fu warrior. Can Po possibly fulfill his destiny as dragon warrior, or was Oogway’s final decision a critical mistake? A film rich with hilarious moments, superior animation, and an important message about believing in oneself and the power that comes from within, Kung Fu Panda is great entertainment that will have the whole family laughing and begging for more. (Ages 3 and older) –Tami Horiuchi

Stills from Kung Fu Panda (Click for larger image)

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Quentin Tarantino

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Kill Bill: Volume 1
Quentin Tarantino’s Kill Bill, Vol. 1, is trash for connoisseurs. From his opening gambit (including a “Shaw-Scope” logo and gaudy ’70s-vintage “Our Feature Presentation” title card) to his cliffhanger finale (a teasing lead-in to 2004’s Vol. 2), Tarantino pays loving tribute to grindhouse cinema, specifically the Hong Kong action flicks and spaghetti Westerns that fill his fervent brain–and this frequently breathtaking movie–with enough cinematic references and cleverly pilfered soundtrack cues to send cinephiles running for their reference books. Everything old is new again in Tarantino’s humor-laced vision: he steals from the best while injecting his own oft-copied, never-duplicated style into what is, quite simply, a revenge flick, beginning with the near-murder of the Bride (Uma Thurman), pregnant on her wedding day and left for dead by the Deadly Viper Assassination Squad (or DiVAS)–including Lucy Liu and the unseen David Carradine (as Bill)–who become targets for the Bride’s lethal vengeance. Culminating in an ultraviolent, ultra-stylized tour-de-force showdown, Tarantino’s fourth film is either brilliantly (and brutally) innovative or one of the most blatant acts of plagiarism ever conceived. Either way, it’s hyperkinetic eye-candy from a passionate film-lover who clearly knows what he’s doing. –Jeff Shannon

Kill Bill: Volume 2
“The Bride” (Uma Thurman) gets her satisfaction–and so do we–in Quentin Tarantino’s “roaring rampage of revenge,” Kill Bill: Volume 2. Where Vol. 1 was a hyper-kinetic tribute to the Asian chop-socky grindhouse flicks that have been thoroughly cross-referenced in Tarantino’s film-loving brain, Vol. 2–not a sequel, but Part Two of a breathtakingly cinematic epic–is Tarantino’s contemporary martial-arts Western, fueled by iconic images, music, and themes lifted from any source that Tarantino holds dear, from the action-packed cheapies of William Witney (one of several filmmakers Tarantino gratefully honors in the closing credits) to the spaghetti epics of Sergio Leone. Tarantino doesn’t copy so much as elevate the genres he loves, and the entirety of Kill Bill is clearly the product of a singular artistic vision, even as it careens from one influence to another. Violence erupts with dynamic impact, but unlike Vol. 1, this slower grand finale revels in Tarantino’s trademark dialogue and loopy longueurs, reviving the career of David Carradine (who plays Bill for what he is: a snake charmer), and giving Thurman’s Bride an outlet for maternal love and well-earned happiness. Has any actress endured so much for the sake of a unique collaboration? As the credits remind us, “The Bride” was jointly created by “Q&U,” and she’s become an unforgettable heroine in a pair of delirious movie-movies (Vol. 3 awaits, some 15 years hence) that Tarantino fans will study and love for decades to come. –Jeff Shannon

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Andrew Stanton

Thoughts/Words/Reviews:

The highly acclaimed director of FINDING NEMO and the creative storytellers behind CARS and RATATOUILLE transport you to a galaxy not so far away for a new cosmic comedy adventure about a determined robot named WALL-E. After hundreds of lonely years of doing what he was built for, the curious and lovable WALL-E discovers a new purpose in life when he meets a sleek search robot named EVE. Join them and a hilarious cast of characters on a fantastic journey across the universe. Transport yourself to a fascinating new world with Disney-Pixar’s latest adventure, now even more astonishing on DVD and loaded with bonus features, including the exclusive animated short film BURN-E. WALL-E is a film your family will want to enjoy over and over again.

View More about Wall-E (Three-Disc Special Edition + Digital Copy and BD Live) [Blu-ray]